Pop art was a(n) (1. convention) _________________ art style in which (2. common) _____________ objects such as comic strips, soup cans and road signs were used as subject matter, and were often incorporated into the work. The pop art movement was largely a British and American cultural phenomenon of the late 1950s and ‘60s. Art critic Lawrence Alloway, referring to the prosaic (3. icon) ___________ of its painting and sculpture, named the movement pop art. It represented an attempt to return to a more objective and (4. universe) _________________ accepted form of art after the dominance in both the United States and Europe of the highly personal abstract (5. express) ________________. The art form was iconoclastic, rejecting the (6. supreme) _________________ of the ‘high art’ of the past and the (7. pretend) ________________ of other contemporary avant-garde art. Pop art became a cultural institution because of its close reflection of a particular social situation and because its easily (8. comprehend) _______________ images were immediately exploited by the mass media. Although the critics of pop art describe it as sensational and non-aesthetic, its proponents saw it as an art that was democratic and not (9. discriminate) ________________, bringing together both connoisseurs and untrained inexperienced viewers. Even though public reaction to pop art was (10. favour) _______________, it found critical acceptance as a form of art suited to the highly technological, mass media-oriented society of western countries.
Chử NhiPop art was a(n) (1. convention) ___
unconventional( độc đáo)______________ art style in which (2. common) _
commonplace(bình thường)____________ objects such as comic strips, soup cans and road signs were used as subject matter, and were often incorporated into the work. The pop art movement was largely a British and American cultural phenomenon of the late 1950s and ‘60s. Art critic Lawrence Alloway, referring to the prosaic (3. icon) _
iconography( sự sử dụng hình ảnh hoặc ký hiệu trong hội họa)__________ of its painting and sculpture, named the movement pop art. It represented an attempt to return to a more objective and (4. universe) __
universally( nhất trí)_______________ accepted form of art after the dominance in both the United States and Europe of the highly personal abstract (5. express) __
expressionism( chủ nghĩa biểu hiện)* ______________. The art form was iconoclastic, rejecting the (6. supreme) ___
supremacy( sự tối cao)______________ of the ‘high art’ of the past and the (7. pretend) _____
pretentiousness( tự phụ)___________ of other contemporary avant-garde art. Pop art became a cultural institution because of its close reflection of a particular social situation and because its easily (8. comprehend) __
comprehensible( (có thể hiểu được)_____________ images were immediately exploited by the mass media. Although the critics of pop art describe it as sensational and non-aesthetic, its proponents saw it as an art that was democratic and not (9. discriminate) _____
discriminatory(phân biệt)___________, bringing together both connoisseurs and untrained inexperienced viewers. Even though public reaction to pop art was (10. favour) __
unfavourable ( không có triển vọng)____________, it found critical acceptance as a form of art suited to the highly technological, mass media-oriented society of western countries.
*C
ái này thuộc về từ ngữ chuyên ngành nên mình không chắc dịch sát nghĩa hay chưa, bạn có thể xem thêm định nghĩa này nha:
expressionism: a style and movement in early 20th century art, theatre, cinema and music that tries to express people’s feelings and emotions rather than showing events or objects in a realistic way
Có thắc mắc gì hãy hỏi thêm nhé!
Mình thấy bạn các bài của bạn có liên quan nhiều đến HSG, bạn có thể xem thêm một số topic sau để ôn luyện nhé:
Kĩ năng tự học ôn thi chuyên anh và hsg các cấp (Phần 2 - Từ vựng & Ngữ pháp)
[TẶNG BẠN] TRỌN BỘ Bí kíp học tốt 08 môn
