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You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photography has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field haas to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who inhabit it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture. Those who have reached this happy state will be prepared when that moment arises, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases an lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you will find that even the professionals have to use a lot of film when they are out shooting.
Not every shot is going to be a winner. If you look at the work of ven the best photographer you will notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that photographer has obviously been observing through the lens. You may fid that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stand out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.
1. How can you become a better real-life photographer?
A. by watching other photographers at work B. by learning about famous photographers
C. by just taking a great many photographs D. by developing skills and ideas for yourself
2. The best real-life photography depend on
A. going out and searching for unusual situation
B. becoming highly skilled in camera techniques
C. being able to tell when a good situation might arise.
D. having a camera which is easy and quick to use
3. The waste of film in real-life photography is
A. expensive and unneccessary. B. essential to the production of good pictures.
C. limited to amareur photographer D. the result of poor choices of subject.
4. What is likely to be most successful?
A. taking pictures without too much preparation B. taking a whole series of similar pictures
C. taking great care to set up the situation D. taking one picture at the right moment
5. this text is taken from
A. a camera instruction booklet B. an advertisement for film
C. a history of photography D. an introduction to photography
You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photography has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field haas to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who inhabit it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture. Those who have reached this happy state will be prepared when that moment arises, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases an lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you will find that even the professionals have to use a lot of film when they are out shooting.
Not every shot is going to be a winner. If you look at the work of ven the best photographer you will notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that photographer has obviously been observing through the lens. You may fid that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stand out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.
1. How can you become a better real-life photographer?
A. by watching other photographers at work B. by learning about famous photographers
C. by just taking a great many photographs D. by developing skills and ideas for yourself
2. The best real-life photography depend on
A. going out and searching for unusual situation
B. becoming highly skilled in camera techniques
C. being able to tell when a good situation might arise.
D. having a camera which is easy and quick to use
3. The waste of film in real-life photography is
A. expensive and unneccessary. B. essential to the production of good pictures.
C. limited to amareur photographer D. the result of poor choices of subject.
4. What is likely to be most successful?
A. taking pictures without too much preparation B. taking a whole series of similar pictures
C. taking great care to set up the situation D. taking one picture at the right moment
5. this text is taken from
A. a camera instruction booklet B. an advertisement for film
C. a history of photography D. an introduction to photography
