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THEATER DESIGN
Built between c.350 and c.330 BC, the semi-circular theatre at Epidaurus has(1) been bettered. Its acoustic are near perfect, its design and natural setting breathtaking. Yet, has theatre design really got anywhere since Epidaurus?
In today's world,(2) remains a divide between the expectations of traditionally-minded audiences and (3) of inventive theatrical companies, with no one seeming to know quite (4) a theatre (5) to be - group of wandering players or permanently housed in magnificent buildings?
In the (6) case, going to see a play is (7) going to the cinema: actors play on a distance stage framed by heavy curtains. There is (8) similarity between this and the audience participation promoted by other theatre groups; the two experiences are quite (9) unlike each other, require different architectural settings and , (10) date, have appealed to different audiences.
Finding an ideal architectural setting (11) theatre has been a quixotic quest for centuries. (12) a mirror of the culture of the relatively homogenous society that created it, Epidaurus was perfect in its time. In today's far (13) inclusive societies, though, directors can hardly expect to find easy solutions to something that (14) predecessors have struggled with (15) since ancient audiences abandoned the stone seats of Epidaurus.
Built between c.350 and c.330 BC, the semi-circular theatre at Epidaurus has(1) been bettered. Its acoustic are near perfect, its design and natural setting breathtaking. Yet, has theatre design really got anywhere since Epidaurus?
In today's world,(2) remains a divide between the expectations of traditionally-minded audiences and (3) of inventive theatrical companies, with no one seeming to know quite (4) a theatre (5) to be - group of wandering players or permanently housed in magnificent buildings?
In the (6) case, going to see a play is (7) going to the cinema: actors play on a distance stage framed by heavy curtains. There is (8) similarity between this and the audience participation promoted by other theatre groups; the two experiences are quite (9) unlike each other, require different architectural settings and , (10) date, have appealed to different audiences.
Finding an ideal architectural setting (11) theatre has been a quixotic quest for centuries. (12) a mirror of the culture of the relatively homogenous society that created it, Epidaurus was perfect in its time. In today's far (13) inclusive societies, though, directors can hardly expect to find easy solutions to something that (14) predecessors have struggled with (15) since ancient audiences abandoned the stone seats of Epidaurus.